There are dedicated value lanes for pitch, octave, velocity, probability, gate length and slide. This is a sample-based synthesizer, which is almost irrelevant given how far you can transform the source material with the on-board tools and excellent effects (that’s a compliment, in case you’re wondering). Available immediately. It's difficult to decide whether Pigments has its own sound. I was pleased to see that you can save your custom Function shapes too. A feature that crops up a lot across the various modulation sources is the Trigger options. Win! This is a tricky question here, but Pigments 2 is a very complex and deep synth when you want it to be, but can also function as a more approachable preset machine when you need a quick fix. Share: Pigments is Arturia's flagship new software synthesizer, and a true original in its sound and design. This is something that crops up often with digital synthesizers. Arturia Pigments review Arturia’s first from scratch softsynth €199; By Computer Music 04 March 2019. By checking the boxes you agree to receive the following from us via e-mail. Storm has long since been retired, but now Arturia are returning to their roots with a software synthesizer entirely of their own design. Having scooped the MPG award in March and a Grammy in 2019, and as the in-house engineer at Flood and Moulder’s Assault and Battery studio, his star is very much on the rise. First Look: Pro Tools | Carbon. I’m in! You might then add 100‑percent randomisation to the Velocity lane, so that each step is given a random value across the entire 1-127 range. Get the latest industry news, reviews, features and tutorials. The standalone operation combines with the onboard sequencer, effects and control options to make a credible performance instrument in its own right. Pigments is a fantastic-looking synth – in the main. Now we have a bigger, expanded version in the form of Pigments 2, which looks likely to be a fairly hefty update to the original. Arturia built their reputation on software recreations of classic synths, now they're back with one of their own. Overall, the wavetable oscillator design is excellent and capable of producing a wide variety of tones. It’s a perfect example of a synthesizer that couldn’t really exist in hardware, and kudos to the brains at Arturia for developing it – pressing ahead into innovative new frontiers instead of looking backward via retro reproductions of the classics (though Arturia does this very well we hasten to add!). In fact given the Wavetable synthesis It seems a step ahead now, or not? 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We round up some of our favourite sites for fresh, inspiring samples. + Despite the complexity, it’s very easy to get started. The interface is clean and well designed with nice use of colour to differentiate between modulation sources. Pigments is Arturia’s newest synth. Caesar Edmunds is packed with big bands and bold sonic statements. This offering from Telefunken promises high-spec performance for a realistic price, As Waldorf adds to the periodic table, we take a quantum leap into this next-generation desktop unit to see if its power is as dense as its namesake. Once you bring the playback modes, modulation and effects to bear, this is a great starting point for making your own sounds, whether you want to keep your samples relatively clean or smash them to a pulp. However, Pigments 2’s arpeggiator and sequencer have both been updated to include randomisation, which is a massive creative boon. 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