Launched in collaboration with Getty, NPPA - National Press Photographers Association, Genesis Inspiration Foundation, The J. Paul Getty Museum. © James Welling > Login. © Chris McCaw Press the play button above to hear about this work. Untitled (C-1159), 2012, Marco Breuer, chromogenic paper, burned. The J. Paul Getty Museum. The J. Paul Getty Museum. This exhibition features a wide selection of historic cameras, including the first mass-market digital camera, which helped usher in a new era for photography. As a new exhibition at the J. Paul Getty Museum shows, the strategy allowed Ishiuchi simultaneously to capture who her mother was and the fact of … Kenneth Lapatin | June 25, 2019 Conservator Sue Ann Chui, a specialist in the conservation of paintings on wood, carefully cleans one of the Ercole panels in the Getty Museum’s paintings conservation studio. Rainbow Lake, WY A20, negative, 2012; print, 2013, Matthew Brandt, chromogenic print soaked in Rainbow Lake water. We appreciate the assistance of the Preparations Department of the Getty Museum, especially Scott Hersey and the Head of Preparations, Kevin Marshall. Poly-optic #22, 2013, Chris McCaw, gelatin silver paper negative. The Los Angeles J. Paul Getty Museum, will open the new exhibit, “Icons of Style: A Century of Fashion Photography, 1911-2011”, later this month. The J. Paul Getty Museum. The Getty Museum at the J. Paul Getty Trust, Light, Paper, Process: Reinventing Photography, Spirit into Matter: The Photographs of Edmund Teske. Haloid Platina, exact expiration date unknown, about 1915, processed 2010, 2010, Alison Rossiter, gelatin silver print. McCaw demonstrates how he uses large format cameras to burn holes in photographic paper, marking the sun’s path across the sky. J. Paul Getty Museum, Los Angeles, USA Must-see exhibit: Cabinet on Stand, crafted between 1675-1680 and attributed to André-Charles Boulle. Beginning with 1911—the year Edward Steichen created the first “artistic” fashion photographs—and ending with 2011 with digital technology as a dominant paradigm, this exhibition surveys the rich and varied history of modern fashion photography. A Handley Page Halifax of No. Press the play button above to hear about this work. Heliogram July 8, 1876/October 16, 2011 (detail), 2011, Lisa Oppenheim, gelatin silver print, exposed by sunlight, toned. Press the play button above to hear about this work. © Matthew Brandt, source image courtesy of the Los Angeles Public Library Photo Collection Getty Center: Harold M. Williams Auditorium, Saturday Nights at the Getty: Julianna Barwick and Matthew Brandt, Ethereal Brooklyn-based singer Julianna Barwick uses dazzling loops and layers to create absorbing vocal constructions that transport you to otherworldly sonic landscapes. The exhibition is curated by Paul Martineau, associate curator of photographs at the J. Paul Getty Museum. Press the play button above to hear about this work. Untitled (Smoke), 1928, Man Ray, gelatin silver print. Spin (C-824), 2008, Marco Breuer, chromogenic paper, embossed and scratched. Pick up a multimedia player free of charge in the Museum Entrance Hall. Curator’s Gallery Tour Press the play button above to hear about this work. The J. Paul Getty Museum, purchased with funds provided by the Photographs Council. Getty curator Virginia Heckert speaks with photographers whose work is displayed in the exhibition Light, Paper, Process: Reinventing Photography. Virginia Heckert, In Focus: László Moholy-Nagy Virginia Heckert, curator of photographs, the J. Paul Getty Museum, leads a gallery tour of the exhibition. Saturday, April 25, 7:30 p.m. © John Chiara The works on view in Light, Paper, Process provide a glimpse into the continued interrogation and reinvention of the medium of photography by artists working today. The J. Paul Getty Museum, purchased with funds provided by the Photographs Council. Rossiter explains her darkroom experimentations with expired photographic papers, and the black and white abstractions that result. The Museum of Modern Art, New York. The J. Paul Getty Museum granted permission for this study and report, provided acce ss to information about the exhibit and the design process, and allowed the use of exhibit photographs. Press the play button above to hear about this work. Meet under the stairs in the Entrance Hall. Advancements such as flexible film stocks, built-in light meters, motor drives, and microchips transformed the way the camera captures and preserves a moment in time. LOS ANGELES—Herb Ritts: L.A. In addition, I found Abelardo Morell’s exhibit and he immediately became one of my favorite explorers in the realm of photography. Light, Paper, Process: Reinventing Photography Style, the J. Paul Getty Museum’s current photography exhibition exploring the work of the iconic Los Angeles-based photographer, has been extended through September 2 to coincide with Labor Day weekend. The J. Paul Getty Museum, gift of Chris McCaw, courtesy of Stephen Wirtz Gallery. © Alison Rossiter Taking that spirit of invention and discovery as its point of departure, this exhibition features the work of seven artists—Matthew Brandt, Marco Breuer, John Chiara, Chris McCaw, Lisa Oppenheim, Alison Rossiter, and James Welling—who focus their investigations on the light sensitivity and chemical processing of photographic papers, challenging us to see the medium anew. LOS ANGELES – The Getty Museum announced today the appointment of James A. Ganz to Senior Curator of Photographs. Icons of Style: A Century of Fashion Photography, 1911-2011 is on view June 26-October 21, 2018 at the J. Paul Getty Museum, Getty Center. Sunburned GSP #609 (San Francisco Bay), 2012, Chris McCaw, gelatin silver paper negatives. Icons of Style: A Century of Fashion Photography, 1911-2011 features over 160 photographs from the museum’s photography archive, as well as loaned pieces. Now, a year after Aguilar’s death at 59 due to complications from diabetes, the J. Paul Getty Museum has ensured a group of the artist’s photographs will stay in Southern California for good. Brandt discusses the often unorthodox and highly experimental methods by which he creates his photographic prints. The collection is particularly rich in works dating from the time of photography’s invention in England and France in the late 1830s and early 1840s. Wednesday, July 22 and August 26, 2:30 p.m. Once a simple wooden box with a primitive lens and cap for controlling light, the camera has undergone enormous change since its invention nearly two hundred years ago. Getty Center: Harold M. 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